Tartuffe, a 1664 verse comedy concerning a scoundrel who impersonates a holy man, and The Bourgeois Gentleman, a 1670 prose farce about the superficial characteristics of Parisian nobility. Original French, English on facing pages.
F.J. Lamport traces the rise and development in the German-speaking world of the last form of "classical" poetic drama to appear in European literature.
La tela si leva lentamente. Quando è a metà del palcoscenico s’ode una voce interna cantare malinconicamente da un altro camerone. Rafele e Cicciariello, seduti sulle tavole di un letto, giocano a carte e fumano.
The balance of the book uses Zen and Chaos theory to reveal new patterns and layers of meaning (or non meaning) in several of Beckett's most significant plays.
Analyzes not just Müller's texts but also the theatrical events that emerged from them, showing that from the beginning of his career Müller tried to create democracy both within and outside the theater.