... foundation of " No Child Left Behind " Cow - racter A lesson in KINDNESS BARNYARD BLESSINGS TM Written by Rebecca L. Holley Illustrated by T.S. Hendricks Copyright © 2011 Rebecca L. Holley All rights reserved . Front Cover.
... racter and species , 256 . Gubernetes forficatus , 91 . Guillemot described , 373 . Guillemots , 191 . Guinea fowl , 166. Described , 342 . Gull described , 373 . Gulls , synopsis of , 372. Their cha- racters , habits , and geographical ...
... racter and species , 367 . Anas clypeata , 189 . Anastomus Ill . , 174. Generic cha- racter and species , 356 . Anatidę , 184. Family character and synopsis , 364. See Ducks . Anatinę , 189. Subfamily cha- racter and synopsis , 366 ...
... racter and synopsis , 315 . Analogies in larger groups pass into close affinities in smaller ones , 56 .; among the ... racter and species , 367 . Anas clypeata , 189 . Anastomus Ill . , 174. Generic cha- racter and species , 356 ...
... RACTER's writings begin to show signs of their dependence on the manipulation of human agents . Although RACTER's programmer , Bill Chamberlain , states in the introduction that " the writing in this book was all done by a computer ...
... Racter . Racter is short for “ raconteur . " The program's designers , William Chamber- lain and Thomas Etter , were especially interested in getting the ma- chine to tell stories and have conversations . At these terribly difficult ...
... racter Cycle i . Cha- Epact Epact racter Cha- racter Epact Cha- racter Epact Cha- racter Epact Cha- racter Epact Cha- racter Epact Cha- racter Epact Number Cycle ii . Cycle iii . Cycle iv . Cycle . of days . Cycle i . Cycle ii . Cycle ...
... racter Cycle iii . Epact Cha racter Epact Cycle iv . Type of the Nundinal Period of 96 years in the Calendar of Numa and in that of the Decemvirs . CYCLUS NUME . Cha- racter Epact Cycle i . Cycle ii . CYCLUS DECEMVIRALIS . Epact Cycle ...
... Racter struggles to equate : the poem itself permits a sliding scale , a flexible version of language and , then , of the world . The use of " like " in the poem first suggests caution , an unwillingness to make a complete comparison ...
... RACTER. Here's an opening exchange between RACTER and a human: Hello, I'm Racter. Are you Saul? >Yes. You are Saul Smith? >No. What's your name then? >Saul Traiger. I may call >Yes. you Saul, then? Hello, Saul. I believe you're ...