... L'Estrange was a most indefatigable new Power giuen him ouer his Subiectes writer , but particularly distinguished ... Sir Roger . A brief History of the Times . Lond . 1687 , three parts in 1 vol . Vito d'Oliviero Cromuel . Amst ...
... L'ESTRANGE , H. - continued . Annexed to this edition is an answer to Heylyn , entitled The Observator ob- served ... Sir Roger . A brief History of the Times . Lond . 1687 , three parts in 1 vol . - LETTERS . - A select Collection ...
... L'Estrange was a most indefatigable new Power giuen him ouer his Subiectes writer , but particularly distinguished ... Sir Roger . A brief History of the Times . Lond . 1687 , three parts in 1 vol . Vito d'Oliviero Cromuel . Amst ...
... Sir Roger L'Estrange later . The restriction of printing to London , with all other censorship apart from that of ... in author- ity in 1496. Leo X set up the first preventative censorship in 1515 and Henry VIII of England was the ...
... ( In author's Our old home . 2 v . in 1. D. 1877. ) Sequel to Tim , the scissors ... L 824 S4 1 W36 Self - help . Smiles , S : D. 1860 . Self - made . Welty ... Sir Roger L ' ESTRANGE . D. Keene , 1806 . 188 S Note . Life of Seneca ...
Through the examination of over 500 pieces of British erotica, this book looks at sex as seen in erotic culture, religion and medicine throughout the long eighteenth-century, and provides a radical new approach to the study of sexuality.
First published in 1987, this is a comprehensive analysis of the rise of the British Press in the eighteenth century, as a component of the understanding of eighteenth century political and social history.
This book offers an in-depth exploration of science fiction literature's varied use of psychological discourses, beginning at the birth of modern psychology in the late nineteenth century and condluding wtith the ascendance of neuroscience ...
One hundred twenty-six best-loved fables of Aesop.
The present book is the first comprehensive survey of the field from a literary perspective to appear for forty years.