The purpose of this book is to show how the wedding of fiction and film works out concretely in a book that focuses on the screen versions of the work of a single novelist, Joseph Conrad.
The purpose of this book is to show how the wedding of fiction and film works out concretely in a book that focuses on the screen versions of the work of a single novelist, Joseph Conrad.
Part One of this book offers a nontechnical account of some of the major current theories concerned with time travel and with the quantum mind. The mind already makes imaginary journeys in time.
While themes of sterility, desire, repression and death are central to this work, these themes are masked by the surrealistic language and plasticity that characterized his experimental theatre.
This much needed work offers not only comparative cultural perspectives on French text and film but also a better understanding of the poetics of image and ideology.
The first book to provide a strong theoretical examination of the political ideologies of Brasillach, Vailland, and Malraux, Dr. Tame's study deals in particular with their contributions to the concept of the ideological hero.