These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions.

The book concludes with an appendix, drawn from previously inaccessible archives, about the censorship of Machiavelli by the Inquisition and the Index.

This book describes the many ways in which music was used in Italian theatrical performances between the late fifteenth and early seventeenth centuries.

This book presents the first English translation of an important Renaissance Latin text: Angelo Poliziano s Lamia, an opening oration to a 1492 course at the University of Florence that amounts to a rethinking of the mission and nature of ...

This volume offers the first English translation, an edition of the Latin text, and four studies that set this rich example of humanist Latin writing in context. Brill's Texts and Sources in Intellectual History, vol. 7.

... Poliziano's art lay in its concealment . What he concealed at the level of form , but never failed to realize at that of content , was the urge to exactitude that motivated his literary and scholarly works . They form a unity . Their ...

This volume illuminates his close friendship with Pico della Mirandola and includes much of the correspondence about the composition and reception of his Miscellanies, a revolutionary work of philology.

... Poliziano's works , Le Stanze , l'Orfeo , e le Rime di Messer Angelo Ambrogini Poliziano ( Florence , 1863 ) , and the supplementary notes provided by Sapegno in his Commento alle Rime del Poliziano ( Rome , 1952-53 ) . These notes are ...

... Poliziano was a characteristic exponent of the evolutionary line marked by such humanists as Petrarch , Valla and Erasmus . As Grafton has shown , Poliziano's historico - philological method of in- terpreting Greek and Latin texts was ...

... Poliziano , Miscell . II = Angelo Poliziano , Miscellaneorum Centuria Secunda . Edizione critica per cura di V. Branca e M. Pastore Stocchi , Firenze 1972. The introduction also in Branca , Poliziano e l'umanesimo della parola , Torino ...